Thursday, 25 April 2019

Next appearance....

Saturday June 1st, 4.30-5.15: Resist! Stories of Uprising preview event. £4 / FREE. Tickets here. [note: event may appear as "Protest II" on Carriageworks website.]




Northern Short Story Festival, Carriageworks, Leeds, with Lucas Stewart, Uschi Gatward and Jude Brown.

Following on from Comma Press' hugely successful Protest anthology, Resist is another of Comma Press' "fact into fiction" anthologies, where authors are paired with historians and academics to re-tell incidents of protest and resistance. I'll be talking about my story about the 1590 Enslow Hill Rising, and am looking forward to appearing with 3 hugely talented short story writers who will be talking about their own stories. Event hosted by James Nash.

The "Creative nonfiction for punks" workshop that I'd hoped to run at Ante Art Festival on May 5th now isn't happening, but watch this space, as I hope to run it at another time or place.


That's it for now, and I hope to see some of you in June.


Currently reading

Watership Down Richard Adam

Sunday, 24 February 2019

"Which organisation are you from?"

With Rachel Connor at The Northern Short Story Festival, 2018

David Cundall & Koyejo Adebakin at the
Remembering Oluwale launch.
A couple of weeks ago, I helped with the Northern Short Story Festival / Big Bookend event, a free event that we called "Speed Dating for Writers." It wasn't a 'dating' event (yes, I know the name's confusing.) It was an event aimed at helping writers meet & network, for support and solidarity.

It's a simple format. Writers get paired up, they're given a question, and allowed 2 minutes to talk. At the end of 2 minutes, Rachel Connor rings a bell, and one writer from the pair has to get up and move around, so that everybody forms a new pair, who then chat again, for another 2 minutes. And so on, and so on, until the discussion at the end.

At one point in the evening a lady turned to me and asked, "Where are you from?" meaning not where do you come from, but which organisation. It had slowly dawned on me during the group discussion, that there were certain things this group of writers wanted that we, as a voluntary-led organisation ("we" being The Northern Short Story Festival) couldn't provide, either because we haven't the time, or we haven't the resources, or the infrastructure, and that some of them wanted to know WHY NOT?

Afterwards, Jenna and I got to talking, and she said, "You should do a blog post about running a voluntary arts organisation", and she was right, I should, so here it is.

Hello. My name's SJ, and for the past 4-10 years, I've been a voluntary arts organiser. I started out running a writers' social night called Fiction of Every Kind, back in 2010. Later on, I edited an anthology called the Remembering Oluwale anthology, which won a Saboteur Award. More recently, I've been director of the Northern Short Story Festival, which is part of Leeds Big Bookend. [I recently wrote about 'My Small Press Writing Day' about how I manage all this alongside a day job, and you can read that post here.] I also am Fiction Editor at Strix magazine.

Every single one of these endeavours is run by volunteers. Fictions is a voluntary organisation, Strix is a voluntary organisation, the Northern Short Story Festival is a voluntary organisation, and none of us who do any of it, including me, don't get paid anything at all.

So why bother?

Quite aside from an almost pathological need to be busy, there are a couple of reasons why I organise cultural stuff. In short: I want cool stuff to happen near me, and if I want cool stuff to happen, I'll either have to do it myself, or get involved with a group who are.

Years ago, when I first moved to Leeds, I got pretty involved in the strong DIY music scene here. Around that time, 2001-ish, there were loads of exciting things going on. Bands like Send More Paramedics, Bilge Pump and later on, Cowtown, were bands who organised their own gigs and played and put out their own music for the love of it. There was a strength of feeling against the mainstream way of doing things, where bands got ripped off by unscrupulous labels and managers, and where so much personality and truth was ripped out of the music in pursuit of producing something with mass appeal.

It was an exciting time. I put on gigs and played in bands myself. I went to gigs in basements and in squats, and drove around the UK in the back of a Mercedes splitter van playing gigs in rock clubs, in houses, and on one particularly memorable occasion, inside a flat, where the guy who lived there set off a couple of glitter cannons at the end of the gig. We all slept on the floor and I left my towel there, a moment you might recognise if you've read Guest.

Photographic proof that I used to be in a band.

There were only two of us in the band: me, my friend Nicky, and our Yamaha QY48 sequencer. We were quirky and poppy and weird. We were unique amongst DIY bands in that our ouevre was pop melodies, programmed drum beats from general MIDI sounds, and synchronised dance moves.

Unforgiveable! To have a sense of humour, to dance, to be stupid, not to care about not being cool, unforgiveable! To actually not care about being cool, as opposed to just pretending you didn't care about being cool - these things were Verboten in some parts of the DIY world.

A group from Fictions at Chapel FM 'Writing on Air' festival,
April 2017.
We were unpopular. People didn't like us. They wouldn't put us on. Somebody once wrote a review of one of our gigs that said we both deserved to be shot in the face with a big gun. Another time, we played a gig in Harrogate, where everybody left and we played to the sound guy, the band we'd gone there with, and a bloke from one of the other bands who, inexplicably, was wearing a Viking hat.

All of these experiences taught me, more than anything else, not to worry about what other people think. That if you want to do something, you should go ahead and do it. (There was also certainly a misogynistic element to some of the bad reviews we got, but that's a topic for another post.)

If you do something, not everybody is going to like it. Also, if you want something to happen in your backyard, go ahead and do it, don't wait for somebody else to do it for you. A fine example of DIY attitude is Strix magazine, started by Andrew Lambeth and Ian Harker. It's an excellent print magazine which is based in Leeds and which you should definitely buy.

L-R Sarah Brook, Moira Garland, Fay Kesby, Ian Harker,
Lizzie Hudson
Strix reading event, NoShoSto 2018.

Because here's the thing. Publishing industry, all of its infrastructure, and the corporate and mainstream parts of the "corporate arts world", if you want to put it that way, are based in London, and getting projects funded by the Arts Council is a lengthy and bureaucratic business. I realised that nobody is going to come and rescue you. If you're in certain parts of Yorkshire, or maybe Stoke, or parts of Wales, say, there's not really much point in sitting around waiting for somebody else to do something. If you want somebody else to organise the events your local area needs, whatever those may be, and you're going to sit around and wait for some statutory body to come and organise them, well... you're going to be waiting a long fucking time.

The ideas that I was introduced to during my formative years - those ideas about doing it yourself, about creating your own culture, about making the things you want to happen, happen - those ideas stuck. Those are the ideas that led to me starting Fictions of Every Kind and later, the Northern Short Story Festival.

A photo of my cat for no real reason.

In all of this, one thought that's guided me is something that the much-beloved and much-missed Archie once said to me at a house gig: that if you're doing something voluntary led, that if you're trying to provide something that exists outside of the mainstream, that's not an excuse to do it badly. "If you're trying to provide a true alternative," he said, "You should always try and do something better than what's out there in the mainstream." Do it with everything you've got, and do it to the best of your ability, and that's what I've always tried to do.

Running a voluntary arts organisation is sort of fun, in a weird sort of way, and it's definitely something that you need a particular mindset and set of skills to do. Having said that, anybody can learn skills, given the guidance and opportunity. There are lots of different ways to be an arts organisation, and arts organisations do lots of different things. You can be a charity or a registered company, or you can have no formal structure at all (though if you want to do bigger things and apply for funding, this last one's a no-goer.) You can run no-budget things, or you can spend time applying for funding, and run some-budget things. Either way you'll forever be teetering on the edge of having no funding, and wondering how you're going to manage, because there's no money, and not enough time. Again, this is something I'll write about in more detail another time.

FYI, the NoSho does a mixture of no-budget and some-budget, and we are extremely grateful to arts@leeds and to our supporting organisations for helping keep going. We pay every single writer who appears at one of our events. Fictions also pays authors, but it is much more locally-based. As an organisation, Fictions is pretty much no-budget, so we rely on our door take at events to pay authors. Another time, I'll write a bit more about running low-budget vs. no-budget organisations, and what the hurdles are. Warning: expect ranting.

Currently reading

On the Beach - Neville Shute
Fresh Complaint - Jeffrey Eugenides 







Tuesday, 19 February 2019

Give The Job To Lisa

A couple of weeks ago, I joked that, in the absence of real leadership and decision-making by our politicians, that they should all stand aside, and let me have a go at running the country. I've never held any sort of management position in a large organisation, nor run a logistics company. I've never even run a ferry company, not even one with imaginary ships, but even so, I still reckon I could do a better job of running this shitshow better than Theresa May or anybody else.

Having said that, in the past few weeks things have progressed bewilderingly and upsettingly quickly, as they are wont to do in our Brexit-hurtling wasteland, so now, all things considered, I'd like to downgrade the offer of running the country myself, and instead propose that the job of running the country is given to Lisa, my old manager from when I used to work at the council.

Lisa was one of those all too common managers so beloved of local authorities, a person promoted just above their level of incompetence into a job they can't do. Lisa did not know how to calculate staff costs-per-hour, nor how to update the spreadsheet for the departmental annual budget. More than once she'd text me at 10 at night (me, a part-time member of staff on a zero hours contract!) to say "OMG hun quarterly stakeholders mtg at 8.30 AM tmrw, can u print spreadsheat from google docs link THNK U XXXX." Lisa frequently lost equipment and members of staff. Was known, in important indepartmental meetings, when time was short and business pressing, to jump up, mutter something like: "My God, this floor's filthy," and disappear for half an hour to go and find the building caretaker, to find the key to unlock the COSHH cupboard, then come back and sweep the floor, ludicrously, ineffectually, and at length, whilst other managers tried to get on with discussing the matter at hand.

Yet, despite Lisa's many and varied shortcomings, I now think of her with affection. Would she were to be Prime Minister, she could bring great colour and relative effectiveness to the whole Brexit situation. Or at least, those below her could "manage up" and do the job on her behalf.

If not Prime Minister, why not Leader of the Opposition, or if even that's beyond Lisa's capabilities, perhaps she could lead a breakaway party with six of her mates, where within hours of holding their press conference to announce their intentions, one of them goes off and says something racist on TV, where literally anybody could see it?

Whether giving contracts to companies where their T&Cs are cut and pasted off Just Eat, leading a party where there's an open goal that nobody seems to be shooting at, or starting a political party that offends everybody before the end of its first day: all of these and less seem to be well within my old council manager Lisa's gift. Please won't you accept my suggestion for the immediate political leadership of the country, and vote for Lisa?

Currently reading 

French Exit Patrick DeWitt

Thursday, 24 January 2019

What an appearance!

Boss Lady
First of all, let me say thank you to Ricky Adam for my new "Boss Lady" profile pic, which was taken at the Northern Short Story Festival Academy launch in December.

Here are some of my upcoming events, which I'll update with ticket links once I have them.

Tuesday March 5th, Chapel Allerton Library, 7.00pm - in conversation with Kevin Duffy of Bluemoose Books and Jeremy Poynting of Peepal Tree Press. I think it's free.

Wednesday March 6th, Carriageworks Theatre, 6.00. Free!
Northern Short Story Festival Programme Launch. Part of Leeds Lit Fest. Book here.

Sunday March 10th, Leeds Central Library, 1.00, free/ PWYF
"Light Lunch" with SJ Bradley in conversation with James Nash, Part of Leeds Lit Fest. Book here. 

Sunday March 10th, The Leeds Library, 2.30, free
Strix 6 launch. Book here 

Sunday May 5th, Ante Art festival, Kirkgate Centre, Shipley
Non Fiction Writing workshop for Punks, details TBC.

There are tons of great events coming up, especially at Leeds Lit Fest, so here are a few more that may be of interest:

Saturday February 9th. 
Surrealism in Fiction workshop with Yan Ge, Carriageworks Theatre, 1-4pm, £20.
More here. (note: free entry to Salon event included in ticket)

Saturday February 9th, 5.00, Carriageworks Theatre, £4/Free
Salon event: Young adult author Yan Ge, Jamie & Robin of Valley Press (publishers of Mountain Stories by Ye Guanquin), and host Susan Barker.
(note: all workshop attendees get free entry to the Salon event.)
More here


Monday February 18th, Fictions of Every Kind: Exit, Wharf Chambers, 7.30, £4
Invited Speakers: June Taylor & Tina Jackson
+ writers' open mic and House Band. Pay on the door. More information here.


Friday March 8th 'Sheltering Under the Owl's Wings', Leeds Beckett Uni, 6.00, Free/PWYF
Remembering Oluwale Reading Event, featuring Ian Duhig, Ian Harker & others.

Currently reading

Reservoir 13, Jon McGregor 

Monday, 10 December 2018

Things Of The Year


Good day, thank you for stopping by.

Regular fans of my blog will notice I haven't been updating too often this year. That's because I've been spending most of my free time working on my third novel, which is about a catering company who take on a contract to run a prison.

Most of 2018 has been spent with my head down, writing, occasionally despairing, complaining to anybody who will listen. I deactivated my Facebook account so I could get more done. I didn't really publish or write a lot of short fiction, because I was trying to get my novel finished, so this end of year blog post is necessarily going to be less eventful than last year's.

That said, I have produced this handy pie chart to let you know how I've been spending my time:

Fig 1: my 2018 in pie chart form. by SJ Bradley
There's not much else to say about it, other than that I've now nearly finished work on the current draft (apart from the four additional chapters, see attached diagram.) After that, I will mostly be returning to writing short stories for a bit.

In amongst the writing, I also managed to read and see and do a few things. Here follows a list of some of my favourite things that I read or saw or did.

Favourite films of 2018 

Black Panther
In no way can I pretend to be any sort of 'comic book' aficionado. I don't care much for films with super heroes and I don't even know the difference between Marvel and DC. However, this film was brilliant: it was funny, it had a terrific story, even the villain's motivation made sense (a rarity in superhero and/ or fantasy films in my opinion) and the action sequences were A.M.A.Z.I.N.G. It is by far the best superhero film I've ever watched, and definitely is not just for kids. See it! 

Widows
Saw this film at Leeds International Film Festival. Viola Davis (also seen in How To Get Away With Murder) was superb as a grieving wife in this remake of the Linda la Plante drama, who finds her professional criminal husband's notebook, and gathers together his colleague's widows to carry out one final job. I damn near broke my fingers gripping the edge of my seat during this one. It really is superb. Go and see it!

A Simple Favour 
Ended up going to watch this when we couldn't find The Sisters Brothers showing anywhere, and crikey was I glad we did. Blake Lively and Anna Kendrick play two schoolgate Mum friends with very different parenting styles: you've got the 'cocktail Mum', and the 'smug craft blogging Mum'. When Cocktail Mum asks Smug Mum to pick her kids up from school one day, then doesn't turn up to pick her children up later... things turn very dark... and strange. For one thing, it's great to see a film with two kick-ass female leads, and for another, there were so many twists in this film I came out having watched a very different film from the one I'd expected. I definitely recommend this one.

Fave books of 2019

Milkman (Anna Burns) 
This has been described as a 'difficult book', a description I could not agree with less. In this novel, Burns' skilful use of voice draws you completely into the claustrophobic world of Troubles-era Northern Ireland, yet despite its difficult subject matter parts of this novel are surprisingly funny. This has been one of my favourite Booker books ever, and in my opinion a worthy winner.

The Study Circle (Haroun Khan)
This brilliant novel, set on a housing estate in South London, follows three young men, friends who all attend the same Islamic study circle in one of the estate's flats. We get to know Ishaq, Shams, and Marwane, their families, their motivations, holding our breath for them as they negotiate an unfriendly world which offers them few opportunities. It's a complex and intriguing novel and was one of my favourites of the year.

What It Means When A Man Falls From The Sky (Lesley Nneka Arimah)
My favourite short story collection. It didn't come out this year, but I only got around to reading it this year. These stories skate effortlessly from realism to magic realism, from world to world. Full of convincing characters, unique situations and wry humour, this is a varied and skilful collection from an author of immense talent.

The Devils' Dance (Hamid Ismailov) 
I had the privilege of meeting Hamid Ismailov at a Northern Fiction Alliance event at York St John University, at which he described this novel as being "three novels for the price of one", and he was not wrong: beautiful, richly detailed, and full of poetry (figuratively and literally) this is a novel not to be missed. Ismailov painstakingly recreates the political imprisonment of Abdulla Qodiriy, who was the first Uzbek novelist, re-imagining his plans for a second novel as he struggles through his time in prison. It was not an easy read: there's a lot going on, it jumps back and forth between several time periods, but it is so rewarding. I liked this one a lot.

Favourite other things 

Leeds International Film Festival. Bought tickets for 17 films, only managed to see 12. Left my cardigan in a cinema at one showing. Still enjoyed the festival. If you find my cardigan please text me. Film highlights: The Raft, Killing God, The Punk Voyage, Failsafe, Widows.

The Northern Short Story Festival. Naturally, I can't not mention this.

Small presses: Dead Ink (of course), Comma Press (of course), Influx Press, The Eden Book Project, Parthian Press, Peirene Press, Valley Press.

Currently reading

War of the Worlds HG Wells 
 



Tuesday, 2 October 2018

Northern Fiction Alliance Roadshow & Books on Tyne Festival, Newcastle


Good afternoon, or morning, or evening. Thanks for stopping by!

I've been intending to update for a while now. The world is pretty stupid at the moment. I have a lot of Opinions about things, and not enough time to write them down, or not at the same time as working on my third novel, anyway. Brexit: still stupid. Tories: What are they even doing and how can they live with themselves? Boris Johnson: Would Like To Punch In The Face, Hard.

That's a quick summary, and here are the next few public events I'm doing.

Wednesday 24th October, Northern Fiction Alliance Roadshow, York St John University with Hamid Ismailov and Gaia Holmes, among others. 6-8pm, tickets £3.60 (includes a glass of wine).

Book your tickets to the York St John Northern Fiction Alliance Roadshow here.

Saturday 26th November, "These Books Are Dangerous" Dead Ink event with Daniel James, Haroun Khan, Sophie Hopesmith, and Marc Nash at Newcastle Central Library. 4.00, £3.

Book your tickets for These Books Are Dangerous as part of Books on Tyne festival here.

There is also an afterparty with a jazz pianist and some of the other Dead Ink Authors afterwards, at Fictions After Dark at the Town Wall Pub. I won't be able to appear but you should definitely go and check the other authors out! Tickets for the Dead Ink Fictions After Dark tickets here.





Currently reading


Pat Barker Double Vision
Rose Tremain The Gustav Sonata

Thursday, 19 July 2018

New Comma Short Story Course

Good afternoon, thank you for stopping by!

I can only say my apologies for not having written more often. It's been a busy few months what with the Northern Short Story Festival where, not only did we have a superb weekend of workshops, discussions and book launches but where I apparently also spent a lot of time Vogueing.

Me with Rachel Connor at The Short Story & Our World panel. Photo by Izzy Brittle
As ever, I've been busy working on the second draft of my third novel (65,000 words and counting) and am currently writing a short story commission for a forthcoming Comma Press anthology, which I'm very excited about. In my opinion those are two (three!) very good reasons as to why I haven't updated this blog more often.

One last bit of news is that I'll be teaching a Comma Short Story Writing Class from 6 months from September-March at the Carriageworks Theatre in Leeds. Some of the lovely comments I had last time included things like, "I can't fault the course in any way as I enjoyed it so much" and "This course really delivered on the hopes I had for it. It definitely made me write more during the six months, and I'm really happy with some of the work I produced during it."

Several of the students who took the course had stories accepted for publication afterwards, including in Litro and Disclaimer magazine, so if this sounds like something you'd be interested in, please do book a place (but don't wait too long, because it sold out last time!)

Currently reading

I'll Sell You A Dog Juan Pablo Villalobos

Other recent reads I've enjoyed 

When I Hit You Meena Kandasamy
Home Fire Kamila Shamsie 
Elmet Fiona Mozley